After their desperate battle against a hundred men, the six members of the Tokuyama-kai complete their prison sentences and are released from the Osaka Detention Center. Meanwhile, back in Nishinari, Koyukai and Nakane-gumi have been fighting for dominance, and the Tokuyama-kai’s territory has been completely taken over. As the Tokuyama-kai attempts to reclaim its turf, the powerful Mizuta-gumi and Jinra-gumi, backing Nakane-gumi and Koyukai from behind the scenes, move to wipe out the Tokuyama-kai entirely.Facing threats from Osaka’s strongest Mizuta-gumi and Kobe’s largest Jinra-gumi, Katsuhiro Tokuyama realizes the gang’s survival is at stake. He makes a decisive choice—to take on the yakuza crest.The Tokuyama-kai becomes a subordinate organization of the Jinra-gumi. Then, Jinra-gumi boss Chujiro Jinra (Sonny Chiba) issues his command: as the first step toward nationwide unification, the Tokuyama-kai is ordered to conquer Wakayama.

Nishinari, Osaka— Katsuhiro Tokuyama (Ryu Gan), who had been living as a civilian, gives in to repeated pleas from his former comrades and revives the delinquent gang Tokuyama-kai. The Tokuyama-kai begins seizing territory one after another from local yakuza groups. However, a clash with Nishinari’s largest prostitution syndicate, Shiraku-kai, becomes inevitable. Shiraku-kai retaliates by murdering one of Tokuyama-kai’s members, Shinjiro Nakanishi (Kyosuke Yabe), and kidnapping Katsuhiro’s only son, Nishiki. Swearing vengeance for Shinjiro and the rescue of Nishiki, six men arm themselves with Japanese swords and head for the Shiraku-kai headquarters. Waiting for them are 100 elite swordsmen, the Shiraku-kai’s fearsome “Batto-tai.” Six against one hundred. The curtain rises on a brutal, fearless battle where death holds no meaning.

A pretty young songbird found murdered on Hollywood Boulevard. The crusty old Private Eye who was in love with her. A smooth-talking seductress who hires him to solve the crime. A bulldog detective with a nose for the truth and a leash held by city hall. A long list of suspects with a long list of alibis. A sprinkling of dirty secrets. A zest of clever lies. These are the ingredients of an homage to the PI films of Hollywood's Golden Age.

El camino al amor (Spanish: Los Briceños), [2] is a Colombian comedy soap opera produced by Juan Carlos Villamizar for Caracol Televisión. [1] Production for the series began in February 2019 and is recorded on 4K ultra-high-definition television. [1] The production was presented at the LA Screenings 2019, [3] and stars Katherine Escobar Farfán, Juan Manuel Restrepo, Mario Espitia, César Mora, Carmenza González, José Daniel Cristancho, Maria Laura Quintero and Toto Vega. [4]The way to love

High-powered fashion photographer Claire Jameson finds herself stranded in middle America on the way to her dream Christmas-time wedding in Aspen. Unable to get another flight or rent a car, Claire is reduced to begging for a ride. When the rugged former artist turned teacher, Tom Pullman and his 13-year old daughter Hilly kindly offer to take her, none of them realize that their journey is just beginning, and it will leave all of them in a very different place than where they began.

Cole Baird has everything—a beautiful wife, successful career, large home, country club membership and expensive toys. Behind the facade, however, is a man trapped by his surroundings and falling ever behind in the pursuit of his life's dream. Not strong enough to confront his father's expectations, he left his true love, his best friend and his vision of life in small town America, and set off on a legal career—intent to, one day, return. Now the rising star in Washington social circles, and the youngest Managing Partner in the history of a powerhouse DC law firm, he is given the choice—continue the path of success in a life to which he never aspired, or return to the community that raised him.

An eldery lady, living in (litterally) the middle if nowhere, and fed up with small minded apartheid ideology starts escaping into her own world of sculpting in her own back yard and along with her (coloured) assistant Malgas, creates a world of wonder in the desert. A true story by playwrite Athol Fugard with great performances all round.

The Road to Sydney follows Philippine dance master and choreographer Sydney Loyola, who found refuge in dance after a childhood of bullying in Palawan. Now based in the San Francisco Bay Area, Sydney faces the painful realities of job loss and eviction following her gender affirmation. Through courage and artistry, she embarks on a journey of healing, identity, and reconciliation with her estranged father.